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The Repeating Island – Representations of the Francophone Caribbean

With close reference to Benitez-Rojo’s notion of the ‘repeating island’, discuss how the Francophone Caribbean has been represented by writers, travellers and artists.   This essay shall focus on how various writers, travellers and artists have represented the Francophone Caribbean. The Islands of Martinique, Guadeloupe and Haiti shall serve as the focus as these are the locations in the Caribbean where a Francophone culture dominates. From the art of Agostino Brunias, to depictions of Haitian revolutionary hero, Toussaint Louverture. From Martinican poet, Aimé Césaire’s, Le Cahier du Retour au Pays Natale to how film director Euzhan Palcy depicts Plantation culture in Rue Case Nègres. Of course, Benitez-Rojo’s notion of the ‘repeating island’ shall never be far from our minds and in order to utilise his ideas to full effect it shall be essential to firstly summarise exactly what this Cuban author refers to in his conceptualisation of Caribbean culture. Antonio Benítez-Rojo sees in the Caribbean a meta-archipelago that is affected by elements of Chaos that repeat across the different islands, incorporating a polyrhythmic essence that reverberates across the multilingual cultures that comprise the Antilles. In the postmodern, post-colonialist environment, the remnants of slavery cannot be escaped in that Plantation culture remains embedded, a core component of cultural discourses, resistance and a division along racial lines, more so than in other geographical regions of the world which adapt more readily to the global environment as they haven’t the same inherent difficulties as having to constantly define history, the oft suppressed history of the Atlantic Slave Triangle, the undocumented creolization, an oral history of African traces or eradicated Carib races or of illiterate Maroon communities who struggled against their Béké masters. The repeating island is a polyrhythmic syncretic agglomeration of different cultures that unites Africa with Europe and Asia with the Americas. Agostino Brunias was a London-based Italian painter from Rome, whose travels to the West Indies have bequeathed us with a rich vein of material of a not only escapist, but also romantic nature. Agostino Brunias ‘The Linen Market Santo Domingo’, ca. 1775   Agostino Brunias ‘Mujer criolla y criadas’, Saint-Domingue (Haiti), painted between 1773-1796     Agostino Brunias ‘Dancing Scene in the West Indies’, 1764-1796  In the first of the three paintings Brunias depicts a market scene. There is a stark contrast in the painting between the use of black and white, with the women mainly wearing white clothes. The…

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Review: The Repeating Island – The Caribbean and the Postmodern Perspective – by Antonio Benítez-Rojo

the repeating island

The Cuban author offers a postmodern view of the Caribbean. It is a sociocultural study that encompasses aspects of history, economics, sociology, cultural anthropology, psychoanalysis, literary theory, and non-linear mathematics, incorporating chaos theory. The book’s aims and theories are laid out in a flowing introduction whereby Benítez-Rojo’s notion of the ‘repeating island’ is explored, through the lens of polyrhythms and meta-archipelagoes. Benítez-Rojo sees in all of the Caribbean a repetitive streaming of ideas, of resistance to slavery, of Plantation culture of postcolonialist discourse. The book focuses on a series of Caribbean authors and poets, from Gabriel García Márquez to the author’s poet of preference, the Cuban Guillén. Critical essays explore how a multitude of creative characters have interpreted their lives in the Antilles, and recurring themes of the cult of the Virgen de la Caridad del Cobre or of the sacrificed slave Mackandal, reverberate in the author’s dissections of West Indian culture. This book gives a valuable postmodernist insight into the supersyncretic culture that comprises the Caribbean.

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