The author is exploring the impact of local culture on the artistic output of Narcoculture in the form of literature and art in two specific par excellence Narco cities in Latin America. We are introduced to the Culichis of Culiacán in Mexicos Sinaloa and they can be contrasted with the paisas of Medellín in Colombia. There are unique linguistic characteristics to each area and each city produces distinct styles in terms of its experience of drug war and wide scale narco-trafficking. Culiacán is the capital of El Chapo’s Sinaloa Cartel territory and faced the brunt of the President Calderon Mexican Government War on Drugs. Medellín was home to Pablo Escobar’s capo rule during the 1980s when he declared war on the State and ran a brutal campaign akin to terrorism, brutalising many of the local population in the crossfire. The rough nature of macho Culichi campesinos, raised in the surrounding rural mountains is portrayed in the natural acceptance of violence and the local landscape is scarred with the memories of narco killings and warfare. Post Escobar paisas are dealing with the world where they had to face paramilitary suppression and the middle classes have been integrated with fast money immigrants from the shantytowns, the home of sicaresca (cultural works about sicario hitmen). Authors may use local dialects such as Medellin’s urban poor parlache in order to express their work. Most of the artists and authors have either suffered directly from the violence or know people killed in the wars. The underlying tone for cultural content from both areas is one of ultraviolence that is socially accepted and ingrained in the conscience and collective memory. The popularity of narconovelas is rising globally. The author of this study does some great work in exposing some perhaps lesser known creators and does a relatively in depth analysis of their works, often drawing on external cultural ideas and philosophies in order to justify her analyses. I found this text to be very enlightening and it opened many doors to this area for future critical study. The often dark subjects prove to be very adept at dealing with their work, often under extreme circumstances that fellow artists across the world do not have to endure. The culture of Medellín and Culiacán is opened to the world by Gabriela Polit Dueñas and I highly recommend her work.
Listen to Wez G – Narcocorridos – Volumen 1 byWez G on hearthis.at Wez G – Narcocorridos – Volumen 1 Los narcocorridos son baladas populares mexicanas y latinoamericanas que cuentan historias de los bandidos que trabajan en la industria del narcotráfico. De los contrabandistas a los capos, estas aventuras llenas de diversión se retractan, en un estilo fluido, vibrante y son muy populares en las partes del mundo de las que salen. Aquí, yo, un DJ gringo de música electrónica en Gran Bretaña, he producido el primero de una serie de shows dedicados a este emocionante estilo de música extranjera. ¡Disfrutar! Narcocorridos are Mexican and Latino American folk ballads that tell tales of the bandits that work in the drug traficking industry. From smugglers to capos, these fun-filled adventures are recanted, in a flowing, vibrant style and are extremely popular in the parts of the world from which they hail. Here, I, an English gringo electronic music DJ, have produced the first of a series of shows dedicated to this exciting foreign music style. Enjoy! :::TRACKLISTING::: Los Tigres Del Norte – El Otro México El Gato Negro – Dime Que Te Hizo Cambiar Rey Fonseca – El Diablo de Sinaloa Uriel Henao – El Policía Torcido Jhonny Rivera-Dos Amores Los Tucanes De Tijuana – El Jefe X Grupo Águilas Del Norte – Cruz De Marihuana Los Huracanes del Norte – El Gato de Chihuahua Los Hermanos Pabón – Fumigaron La Sierra Los Invasores De Nuevo León – Entre Hierva Polvo Y Plomo Caballeros Del Norte – El Rescate Millonario Los Tigres Del Norte – El Gato Félix Fernando Burbano – Mujeres, Dinero y Licor Los Renegados – Piratería y Contrabando Uriel Henao – El Hijo de la Coca Los Tucanes De Tijuana – El Cartel De A Kilo Hermanos Ariza Show – Se llamó Pablo Escobar
The subject of the book makes it appealing and gives you the desire to part with the £6 or so it costs on Amazon. El Chapo is a buzz subject a folk-hero, a modern legend. He is head of the Sinaloa Cartel and in charge of one of the most lucrative drug-trading networks on the planet. However, I would seriously avoid buying this book as it is very poorly written and researched. There is nothing here that you would not get from surfing to Joaquin Loera Guzman’s wikipedia. The book is very short and can be read (with difficulty) in half an hour – only 25 pages of large type. It appears, due to the very poor standard of English that it is translated from another language (most probably Spanish). However, a professional translator was not consulted and it is most probably a simple transposition of Spanish newspaper articles, using Google Translate. It really is so poorly written that I can see no other explanation. I think that the author is simply coining in on El Chapo’s name and portraying him also in rather a negative light. I, for one, would not like to cross paths and offend such a potentially explosively dangerous man by character assassination which is basically what this book amounts to. A cheap poke at a cult figure and an attempt to coin in on someone else’s fame. For such a worthy and interesting subject it would pay heed, as an author, to do some proper research, to get on the actual ground in Sinaloa, and gain some true revelations which would be far more interesting than just casually reproducing evidence that is already in the public domain and doing a bad job of that also. A discredit to El Chapo and unworthy of any attention. AVOID!
The Last Narco: Hunting El Chapo, The World’s Most Wanted Drug Lord by Malcolm Beith My rating: 4 of 5 stars This is a fast-moving story of the rise of Mexico’s most feared and influential drug lord, El Chapo. The Sinaloa cartel occupies the number one position in terms of prestige of drug organisations and Guzman Loera has hit the Forbes list of the wealthiest and most powerful men in the world. After a daring prison break he hides out from Mexican and US authorities as well as rival gangs in the hills of his native Mexico. Beith is a journalist who attempts to piece together the myths surrounding this elusive character and he weaves a very readable and exciting story together which combines romance, bloodthirsty homicide, big business administration, corruption and the life of the modern day Mexican Robin Hood and his associates. The situation in Mexico is extreme and unbelievable in may ways. It has certainly transcended all the boundaries first witnessed during the rise of the Colombian cartels decades ago. This book is perhaps lacking in truth in some ways as the evidence is so difficult to establish, yet it is well-written and gives the reader a good insight into one of the greatest plagues of the modern world. View all my reviews