Leah Gordon is a former punk artist from London. She is also a photographer and this book reflects upon her experiences of Kanaval on the streets of Jacmel in Haïti between 1995 and 2010. Haïti was the first black republic in the Western hemisphere, a black slave nation that overthrew the yolk of its French European masters. A core component of the revolution’s power was the African-inspired Vodou belief system and intertwined with politics the Kanaval (Creolisation of Carnival) traces its routes to the clandestine slave gatherings in the upland forests of the island. Gordon takes powerful black and white images of the key Kanaval characters and interviews these characters, capturing a series of oral histories from the poor local inhabitants who invest their energy effortlessly, creating characters, making costumes, designing props, organising dance routines and applying makeup, to create this pre-Lentern annual orgy of street theatre and fiesta. We meet the Lanse Kòd (The Rope Throwers), Jwif Eran (Wandering Jew), Papa Sida (Father of AIDS), Oungan (Vodou Priest), St Michel and also the Satanic Zel Maturin (The Wings of Maturin). These characters act out a fight of good versus evil, they challenge the audiences to raise small amounts of money and to reflect upon the political realities of Haïtian life. There is a series of critical essays throughout the book from key researchers of Haïti, that reflect upon the essence of Leah Gordon’s work. The book is enlightening and the images, that can be very disturbing, project an exoticism and spirituality that gives the reader a true taste of the Kanaval performers’ messages and allows the reader a glimpse of the post-colonial ‘Other’ that is the Caribbean.
Saint Domingue was the Western French-owned side of Hispaniola. French colonists built it up into a wealthy imperial source of plantation economy produce, founded on the settlement of African slaves, products of the Triangular Slave Trade across the Atlantic. The hills and plains were dotted with sugar plantations and vast amounts of coffee and indigo were also produced. White settlers occupied only 10% of the island’s population, however, and as free people of colour (gens du couleur) became more of an entity, laments for freedom, using the terminology of the French Revolution’s decrees, were an increasing weight upon the colonial administrators. Settling African tribesman as slaves, such as the Ibo, proved problematic as they all would rather die at their own hands than submit to their slave-masters. Legends grew such as that of Makandal, and slaves began to plot in earnest. Eventually, a mass slave revolt broke out and the people fought their masters until slavery was abolished. With their new found freedom, the former slaves rebuilt Saint Domingue from the ashes of revolt and further into a final severing of ties with the colonial masters. New generals rose up in the army, culminating in the great Toussaint Louverture, who would lead his people into full-scale revolution against France and ultimately, although he was sacrificed, give way to the final freeing of the colony and the birth of the nation of Haiti, a nation of Blacks and the first successful slave revolt in history