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Review: Narrating Narcos: Culiacán and Medellín – by Gabriela Polit Dueñas

narrating narcos

The author is exploring the impact of local culture on the artistic output of Narcoculture in the form of literature and art in two specific par excellence Narco cities in Latin America. We are introduced to the Culichis of Culiacán in Mexicos Sinaloa and they can be contrasted with the paisas of Medellín in Colombia. There are unique linguistic characteristics to each area and each city produces distinct styles in terms of its experience of drug war and wide scale narco-trafficking. Culiacán is the capital of El Chapo’s Sinaloa Cartel territory and faced the brunt of the President Calderon Mexican Government War on Drugs. Medellín was home to Pablo Escobar’s capo rule during the 1980s when he declared war on the State and ran a brutal campaign akin to terrorism, brutalising many of the local population in the crossfire. The rough nature of macho Culichi campesinos, raised in the surrounding rural mountains is portrayed in the natural acceptance of violence and the local landscape is scarred with the memories of narco killings and warfare. Post Escobar paisas are dealing with the world where they had to face paramilitary suppression and the middle classes have been integrated with fast money immigrants from the shantytowns, the home of sicaresca (cultural works about sicario hitmen). Authors may use local dialects such as Medellin’s urban poor parlache in order to express their work. Most of the artists and authors have either suffered directly from the violence or know people killed in the wars. The underlying tone for cultural content from both areas is one of ultraviolence that is socially accepted and ingrained in the conscience and collective memory. The popularity of narconovelas is rising globally. The author of this study does some great work in exposing some perhaps lesser known creators and does a relatively in depth analysis of their works, often drawing on external cultural ideas and philosophies in order to justify her analyses. I found this text to be very enlightening and it opened many doors to this area for future critical study. The often dark subjects prove to be very adept at dealing with their work, often under extreme circumstances that fellow artists across the world do not have to endure. The culture of Medellín and Culiacán is opened to the world by Gabriela Polit Dueñas and I highly recommend her work.

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Review: Narcocorrido: A Journey into the Music of Drugs, Guns, and Guerrillas – by Elijah Wald

narcocorrido

Whilst planning to do a university translation dissertation on some aspect of narcoculture I was drawn to this work (in English – also simultaneously released bilingually with a Spanish version) by American author and folk musician, Elijah Wald. Having been introduced and hooked on the sounds of Los Tigres Del Norte for years, the Narcocorrido is a music form that particularly interests me. The Spanish word ‘Correr’ = to run, gives way to the Corrido form of music, a Mexican musical ballad, originally historically done as the spoken word, but more recently with Mexican folk music of accordions, guitars and harps added. It is a form of Norteño / Ranchera / Mariachi music, very spicy in rhythm, with neatly rhyming lyrics, telling a popular story. A lively, popular music artform, where masculinity and hyper-masculinity can flourish. The traditional Corrido has been superseded by the Narcocorrido, which tells the stories of Mexican and Latin American drug lords and their conquests – their crossborder trafficking, their grisly assassinations, their lovelife, their organisations. The Corrido is an alternative form of news and corridistas may cover any political event, with some controversial writers documenting political scandals and guerrilla uprisings. Elijah Wald takes us on an interesting personal journey as he hitchhikes and buses across every conceivable region in Mexico and also dips into the Corrido communities of North America. We meet the stars of the genre, the well known celebrity figures, from Los Tigres Del Norte themselves and their most famous writers such as Jefe del Jefes, Teodoro Bello. The issues of assassinated star Chalino Sánchez were particularly interesting and displayed the true dangerous nature of these musicians and their controversial cultural work. We head from the Sinaloan narcocorrido heartland, up to Texas and onto rural Michoacan. Not only do we learn more of the drug trafficking inspirations and the gruesome Mexican drug war, but also we learn of other areas of Mexican culture, history and politics. Wald is a man of the people and the rural campesinos are never far from his heart. He is equally at home listening to corridista buskers on the bus aswell as being able to snort cocaine whilst partying with the stars. For me, the translations done by the author about the often unknown corridos are a true revelation and, being an apprentice translator, I particularly found this aspect of the book exciting. The book is a real…

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Review – The Legend of El Chapo Guzman – by J.D.Rockefeller

the legend of el chapo Guzman

The subject of the book makes it appealing and gives you the desire to part with the £6 or so it costs on Amazon. El Chapo is a buzz subject a folk-hero, a modern legend. He is head of the Sinaloa Cartel and in charge of one of the most lucrative drug-trading networks on the planet. However, I would seriously avoid buying this book as it is very poorly written and researched. There is nothing here that you would not get from surfing to Joaquin Loera Guzman’s wikipedia. The book is very short and can be read (with difficulty) in half an hour – only 25 pages of large type. It appears, due to the very poor standard of English that it is translated from another language (most probably Spanish). However, a professional translator was not consulted and it is most probably a simple transposition of Spanish newspaper articles, using Google Translate. It really is so poorly written that I can see no other explanation. I think that the author is simply coining in on El Chapo’s name and portraying him also in rather a negative light. I, for one, would not like to cross paths and offend such a potentially explosively dangerous man by character assassination which is basically what this book amounts to. A cheap poke at a cult figure and an attempt to coin in on someone else’s fame. For such a worthy and interesting subject it would pay heed, as an author, to do some proper research, to get on the actual ground in Sinaloa, and gain some true revelations which would be far more interesting than just casually reproducing evidence that is already in the public domain and doing a bad job of that also. A discredit to El Chapo and unworthy of any attention. AVOID!

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