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Review: Happy Mondays – Excess All Areas – by Simon Spence

Happy Mondays

This is the third Simon Spence book that I have read. He is a very talented music journalist from Manchester with a taste for documenting, wild, stylish cultural movements that have emerged from the Madchester craziness. Excess All Areas covers perhaps the most successful and innovative band to have ridden the early acid house craze that swept the nation in the mate 1980s. With the charismatic Shaun Ryder heading up the band, a true hedonist, a notorious substance abuser, it was always difficult for the true Happy Mondays to translate through the myriad web of journalists who tried to document them. Ryder, much to the annoyance of most of the musical backdrop of the band, Paul Ryder (Bass), Gary Whelan (Drums), Paul Davis (keyboard), Mark Day (Guitar), Mark ‘Bez’ Berry (dancer), got into a habit of blagging the press and feeding them over the top exaggerations of the band’s history and exploits. In hindsight, this was pure marketing genius and led to much of the mystery and notoriety that paved the way for success. However, it sifting all the bullshit, has made the writing of this book that much more difficult for Simon Spence. The early days of a relatively privileged middle class upbringing contrasts with the bunch of Manchester council estate ‘scallies’ they tried to portray themselves as. Sure there was petty crime and shopflifting etc. but nothing serious, although perhaps the addition of Bez to the group was actually verging on real true life crime as he obviously was up to the neck in it as a youngster and quite obviously expanded his mini empire quite a lot under the guise of being part of the band…. Manchester Giants, Factory Records and Tony Wilson picked up the band and signed them which paved their way to success following the ilk of luminaries Joy Division and New Order and allowing them direct access to one of the UK’s most influential music venues, the Haçienda. It all happened at just the right time for this band, as the cultural rebellion against failed Thatcherism took hold of the UK’s disillusioned youth masses and expressed itself in the ‘Acid House’ movement. Ecstasy-fuelled, fashion shifts, mass movement and gathering of people in raves, parties and festivals, vast increase in polydrug clubbing and mainstream ending of anti-drug taboos. A lot of this movement was driven by DJs and the Mondays’ uniqueness was that they…

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Review: Altered State – The Story of Ecstasy Culture and Acid House – by Matthew Collin

altered state

I’ve already read a Matthew Collin book – This is Serbia Calling – so I was chuffed when I stumbled upon this work, a history of UK dance music culture. As a DJ and Promoter for 24 years I’m quite aware of a lot of the history of dance music in the UK. This book, however, filled in many of the gaps, and was a thoroughly entertaining and enlightening read. The well known story of how acid house culture came to the UK via Ibiza’s Summer of Love where Nicky Holloway, Danny Rampling, Paul Oakenfold and Trevor Fung experienced the delight’s of Alfredo weaving magic on the White Isle and brought back their ideas to the London clubscene, is a familiar tale, often recited religiously in club culture publications like Mixmag. The author gives a comprehensive account of the beginnings and it was great to hear the true story and what bliss these guys must have experienced. Shoom, Spectrum and the Milk Bar launched successfully and the early adopters were soon welcoming new ‘Acid Teds’ and a hippy revival based on lush house electronica began to hit the mainstream. The book looks at London and Manchester in detail as well as exploring some of the less likelier destinations of UK club culture like Blackburn and later the countryside free party and rave movement. The study of the fracture of dance music into its various sub-genres and the movement of people that followed each branch provides much analysis and we see Warehouse parties, techno anarchists, drum and bass division and later the emergence of new genres like speed garage, grime and dubstep. The book focuses a lot on the role of narcotics in this new ascendant youth culture. The critical importance of ecstasy (MDMA) to the whole movement which eventually led to a massive increase and normalisation of drug culture across the country, with polydrug use becoming popular and clubbers and ravers exploring acid (LSD), cocaine, heroin, ketamine, amphetamines and the various different types of cannabis. It’s amazing how much anti dance music propaganda was spread by the media. Governments were scared and there was a great deal of legislation set up to counter the whole movement. Enlightened masses were a danger to the establishment and the whole culture was seen as an alternative political situation. The long-running battles between promoters, DJs and the UK Police was interesting and it was…

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