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Review: Gangster Warlords – Drug Dollars, Killing Fields and the New Politics of Latin America – by Ioan Grillo

gangster warlords

This is the second of Ioan Grillo’s books that I have read and I found this volume equally as good as my first encounter with this talented British journalist. Gangster Warlords focuses on 4 separate crime gangs across the Americas. For each group we identify leaders, politics, often brutal and horrendous crimes and a link to the out of control trade in Narcotics across Latin America and the Caribbean that gives rise to the conditions necessary for Gangster Warlords to thrive. The first part looks at the Comando Vermelho or Red Commando of Brazil, focussing on a biography of the ‘brain’ of the guerrilla / criminal gang, William da Silva Lima. From open bocas selling drugs on the streets of the Rio favelas, to political indoctrination in the fusion of leftwing political prisoners and armed robbers in Brasilian jails, this story is eyeopening and violently disturbing. The second part covers Jamaica’s Shower Posse with the rise and fall of its President, Christopher Michael Coke or ‘Dudus’. The impact one man’s crimes can have upon an entire political system that reaches deep into the depths of global cities with their yardie drug gangs highlights how uneasy a relationship is struck between warlords and governments. Third up we have coverage of the gangs of the Northern Triangle – Honduras and El Salvador with its imported from Los Angeles headlining crime group the Mara Salvatrucha. The brutal murder rate of these guys strikes fear into even the hardiest of Latin American gangs with the MS-13 being recruited by powerful Mexican cartels such as Sinaloa to do their dirty work. The global reaches of violent criminal empires is apparent. Lastly there is a focus on Nazario Moreno, El Chayo – El Más Looa – The Maddest One. and his Knights Templar. This NarcoSaint formed from the nucleus of the La Familia Michoacana a devoted following based around the medieval style religious teachings and devotion of the holy warrior monks of the Middle Ages. He faked his death at one stage until he was finally put into his grave by the fierce war with autodefensas who in vigilante justice were the only solution to his expansive Crystal Meth and Marijuana empire. The whole book encompasses many of the same themes. Recurrent violence, cocaine smuggling and distribution internationally, political unrest and inadequate government coping strategies. In his conclusions Grillo identifies possible solutions to the War on…

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Review: Narrating Narcos: Culiacán and Medellín – by Gabriela Polit Dueñas

narrating narcos

The author is exploring the impact of local culture on the artistic output of Narcoculture in the form of literature and art in two specific par excellence Narco cities in Latin America. We are introduced to the Culichis of Culiacán in Mexicos Sinaloa and they can be contrasted with the paisas of Medellín in Colombia. There are unique linguistic characteristics to each area and each city produces distinct styles in terms of its experience of drug war and wide scale narco-trafficking. Culiacán is the capital of El Chapo’s Sinaloa Cartel territory and faced the brunt of the President Calderon Mexican Government War on Drugs. Medellín was home to Pablo Escobar’s capo rule during the 1980s when he declared war on the State and ran a brutal campaign akin to terrorism, brutalising many of the local population in the crossfire. The rough nature of macho Culichi campesinos, raised in the surrounding rural mountains is portrayed in the natural acceptance of violence and the local landscape is scarred with the memories of narco killings and warfare. Post Escobar paisas are dealing with the world where they had to face paramilitary suppression and the middle classes have been integrated with fast money immigrants from the shantytowns, the home of sicaresca (cultural works about sicario hitmen). Authors may use local dialects such as Medellin’s urban poor parlache in order to express their work. Most of the artists and authors have either suffered directly from the violence or know people killed in the wars. The underlying tone for cultural content from both areas is one of ultraviolence that is socially accepted and ingrained in the conscience and collective memory. The popularity of narconovelas is rising globally. The author of this study does some great work in exposing some perhaps lesser known creators and does a relatively in depth analysis of their works, often drawing on external cultural ideas and philosophies in order to justify her analyses. I found this text to be very enlightening and it opened many doors to this area for future critical study. The often dark subjects prove to be very adept at dealing with their work, often under extreme circumstances that fellow artists across the world do not have to endure. The culture of Medellín and Culiacán is opened to the world by Gabriela Polit Dueñas and I highly recommend her work.

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